The other day I was listening to a pianist playing the fearsome second movement of the César Franch Sonata for violin and piano. The piano part is highly virtuosic and, apart from anything else, a very good proof of the fact that these big piano parts are not...
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At a book sale at the weekend I picked up a copy of Heinrich Neuhaus's book The Art of Piano Playing. Neuhaus, who devoted the main part of his career to teaching at the Moscow Conservatory, was the teacher of Sviatoslav Richter, Emil Gilels and Radu Lupu among...
I've been watching Channel 4's new series, 'The Piano', in which amateur piano-playing members of the public put themselves forward to come and play an upright piano in the foyer of one of Britain's main railway stations. Unknown to them, watching behind the scenes...
I did a piano workshop recently at which a number of different people played. One of our topics was tempo. How do you decide at what speeed to play something, especially if the composer gives no indication? Even written instructions such as Andante or Adagio are...
After a recent concert a member of the audience was telling me how much she'd enjoyed it. 'I always say it's great to hear top professionals playing, because it's only when people have really mastered the notes that they can think about how music communicates', she...
The other day I gave a copy of one of my own CDs as a gift to some young musicians. They thanked me politely, but I caught them eyeing the CD with a certain blankness. Suddenly a thought occurred to me and I said, '...Don't tell me you haven't got CD players!' They...
There's so much talk about 'fake news' at the moment. Most of us are gradually getting better at spotting it. Fake news often seems to be accompanied by a certain style of presentation, which we often see in public speaking. Smiles that don't arise from the inside. An...
I did some guest teaching at the University of St Andrews the other day. During one of my sessions, a member of the audience asked an interesting question. I didn't know the answer and am still thinking about it. He said: 'I have some modern recordings of Baroque...
As the Brexit story accelerates, musicians are still in the dark about what will happen to their freedom of movement after we leave the EU. For two and a half years now I have been listening to colleagues and students worrying about whether they will still be able to...
This Sunday morning, 14 October, ABC radio in Australia is broadcasting a substantial interview with me on 'The Music Show', presented by composer Andrew Ford. We were talking about my book 'Speaking the Piano'. The interview was recorded with me in Edinburgh and...
I was doing a radio interview the other day about my new book 'Speaking the Piano.' While waiting in the studio, I got chatting to the man on duty in reception. I was holding a copy of my book. He asked me what it was about, so I told him it was about learning music....
I was complaining last week to a fellow musician about the difficulty of getting students to reply to emails. 'You'd think they would reply to email precisely because it's so easy to click on 'reply' and write a few words', I said. 'I have exactly the same problem',...
I've been in London coaching young post-grad and professional chamber groups for ChamberStudio, a wonderful enterprise which provides mentorship and further training for instrumentalists who have 'finished studying' but still need or wish to have access to advice and...
One of my summer projects has been to learn all the Chopin Nocturnes. Strangely enough I have never tackled them properly, and some of them, it turns out, I hardly knew even by ear. Getting to know them has given me tremendous respect for Chopin's compositional skills...
Recently I came across folders of notes I had made when serving on international competition juries over the past decade or more. Pages and pages of detailed notes on people's playing. Most of them played for at least half an hour, sometimes an hour, so there was...