On Sunday of this week I'll be playing a programme of piano music by historical women pianists at the London International Piano Festival at King's Place. Mine is the closing concert of the festival, at 3pm on 6th October. If you live in or near London, please...
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Debussy's Prelude 'La Puerta del Vino', from his second book of Preludes for piano (written 1912-13), has been one of my favourites for a long time. I've always loved its evocation of harsh guitar music, flamenco singing and the rhythms of the habañera. Long ago I...
Last week I took part in the Cerne Abbas Music Festival, held by the Gaudier Ensemble in rural Dorset. For the past thirty-two years, the same group of musicians has been gathering in Cerne for a week in the summer, to present a series of chamber music concerts in the...
Recently I came across folders of notes I had made when serving on international competition juries over the past decade or more. Pages and pages of detailed notes on people's playing. Most of them played for at least half an hour, sometimes an hour, so there was...
I've just returned from the Gaudier Ensemble's annual festival at Cerne Abbas in Dorset (photo: the last piece of the final concert - the Dvorak piano quintet with (L to R) Marieke Blankestejn, Ulrike Janssen, me, Iris Juda and Henrik Brendstrup). One of the pleasures...
In the course of my teaching and coaching activities I meet lots of young musicians who have come from other European countries to study in the UK. Britain's excellent music colleges and universities are extremely popular with Europeans, who often fund their studies...
Yesterday I spoke about my book 'Sleeping in Temples' at the Wigtown Book Festival (see photo), a merry gathering in 'Scotland's Book Town' in the rolling hills of Dumfries and Galloway. Arriving there for the first time in driving rain and wind wasn't the perfect...
I'm back from the 26th annual festival of the Gaudier Ensemble in Dorset. Over the years this gathering of chamber music specialists from around Europe has come to feel quite special. As our lives have become increasingly complicated, it feels remarkable that each...
This morning there was a discussion on Radio 4 about the response of the arts in the UK to the Brexit vote. Contributors rightly said that there is much we can and must do to understand who we are, what are the social issues facing us, how can we forge a constructive...
The UK vote to leave the European Union has shocked the classical music world, particularly the young European musicians who have opted to study, live or work in the UK courtesy of EU rules and funding. I've taught them and played with them on various courses and have...
Last week I was in Rome, where I walked into a church one day to hear a group of about twenty nuns chanting an evening service. (I say 'chanting' because it wasn't exactly singing, nor was it exactly speaking, but some melodious hybrid of the two.) There was a small...
In my travels as a guest tutor I come across post-grad and young professional musicians from lots of different countries. For some time now I've made it a habit to ask them how they're getting on with making their way in the classical music profession - easy or...
An exciting week lies ahead, with a whole cluster of works - nine, in fact - to perform in the space of four days. I'm doing a residency with the wonderful period-instrument quartet, Quatuor Mosaiques, in Perth Concert Hall (in Scotland, before any Australians start...
Last week I played a lunchtime recital in Aberdeen, the first time I'd played in the city for ages. I took a train early enough to allow me to see sunrise over the Firth of Forth, followed by a spectacular curve around the coastline of Fife as the first light was...
I haven't written anything here for a while because I've been away at the International Musicians' Seminar 'Open Chamber Music' in Prussia Cove, Cornwall. We had a week of rehearsals in Prussia Cove (see photo), and then eight of us did a week of touring, giving five...