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Hallucinations
Historian Tom Holland was guest-editing the 'Today' programme on BBC Radio 4 recently. He spoke about his experience of AI 'hallucinations', that now increasingly well-known phenomenon whereby Artifical Intelligence makes up information in response to a question. Tom...
My top books of the year 2025
I seem to have read an unusually high number of books this year - surprising, because it was a unusually busy year. Looking back, I realise that long train journeys provided hours of reading time. I often took two books with me on a trip in order not to run out of...
‘Zonal Attachment’ for Musicians
I was half-listening to the radio this morning when they were talking about fishing rights. The concept of 'zonal attachment' was being explained. I learned that this was a new and scientific way of approaching the issue of fishing rights. Fish move around; from year...
Otters
One positive aspect of this year's lockdowns has been seeing more wildlife in the city's green spaces. Earlier in the year, when there was very little traffic, animals seemed to pluck up courage to venture on to the quiet golf courses, parks and hillsides. We saw lots...
Edvard Grieg and Shakespeare’s Macbeth
It's been a turbulent week, and I have found some distraction in playing through a volume of Grieg's Lyric Pieces. I've always liked them, though I admit I knew only the more famous pieces, and only recently discovered that there are many more - all worth getting to...
Musicians fighting for their jobs in an age of recorded music
At last there is more commentary about the challenges facing freelance artists. Yesterday there was a strongly-worded cry for help in The Observer from several leading musicians, warning that if the UK's musicians are not supported, we could lose them for ever. I have...
Fatima, and an excerpt from ‘J is for Job (not a proper)’
In response to yesterday's outrage about an HM Government ad showing 'Fatima', a young ballet dancer as an example of someone who might switch to 'working in cyber', I'm posting an excerpt from 'J is for Job (not a proper)', from my book A Musician's Alphabet (Faber,...
‘Adapting to the new reality’
So the UK Chancellor, Rishi Sunak, has suggested that musicians and other creative artists may need to re-train and look for other opportunities as a result of the coronavirus pandemic. “I can’t pretend that everyone can do exactly the same job that they were doing at...
Re-classifying music as ‘hospitality’
Like many other musicians and freelancers in the arts world I have been shocked this week by further evidence that we are being treated less well than employees on furlough. Our workplaces remain closed by government order. Many freelance musicians have earned nothing...
The appeal of the Green Room
On Monday, cellist Philip Higham and I played one of the first post-lockdown concerts for a socially distanced live audience at Wigmore Hall (see photo). At first, we had been told that only 56 people would be allowed in the audience, but the rules changed and we were...
Playing at Wigmore Hall on 14 September
On Monday, 14 September at 7.30pm, cellist Philip Higham and I will be stepping in at short notice to play a duo recital at Wigmore Hall in London. We're replacing two artists caught up in quarantine rules. With countries hopping on and off the quarantine list, the...
Doing a performance under Covid restrictions …
Since lockdown, I've only had the chance to do one concert. It was a special one, though! - the Edinburgh Festival's Chamber Soundscapes online series. Although there was no audience, the performance took place under concert conditions. In five months of lockdown, I...
Edinburgh Festival recording + YouTube broadcast
Yesterday Philip Higham and I recorded our programme for the Edinburgh International Festival's Chamber Soundscapes series. Music by Nadia Boulanger, Martinu, Suk, Debussy and Beethoven. Our performance was relayed through speakers in Princes St Gardens at lunchtime...
Hooray, an actual engagement!
Believe it or not, I actually have a concert next week, though it will be a 'closed door' recording made without an audience. It's part of the Edinburgh International Festival's online offering which replaces the programme for this year's cancelled Festival. A series...