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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
Radio 3 ‘In Tune’ interview this evening
This evening I'm doing a live interview about my Nocturne book with Katie Derham, presenter of BBC Radio 3's 'drivetime' programme In Tune. Normally these interviews are done in person in the London studio, but as I live in Edinburgh I've been offered the possibility...
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It’s a wrap
We're having the windows of the piano room double glazed this week. For safety, the piano has been closed up, wrapped in blankets and swathed in plastic sheeting. To give the workmen more space to bring things in and out of the door (perilously near the end of the...
Fractions of a second apart
I've been watching some of the Winter Olympics on TV and marvelling at the way that the top competitors all seem to achieve times which are within a fraction of a second of one another's. Time and again the commentators point out that the winning margin is...
Exploring the shelves, 7: mysterious last movements
It's amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn't as inspired as the rest of the piece. I once observed that composers...
Richard Morrison’s Times article on musicians in lockdown
A friend has sent me (in the post!) Richard Morrison's excellent Times article from April 3: 'Note to artists: it's not a sign of weakness to be unable to work now.' This is the link, but The Times is behind a paywall so you can only read it if you're a subscriber....
Exploring the shelves, 6: Debussy’s First Arabesque
Hardly an unknown piece, of course, but there are aspects of it we don't often consider. For example, the pedalling! Debussy doesn't mark any. What are we to make of that? Some composers carefully mark where they want the pedal to be used. Some don't mark pedal at...
Exploring the shelves, 5: Edward MacDowell’s ‘Woodland Sketches’
Over the years I've acquired various bits of piano music as gifts when friends were throwing away stuff they never played. That's how I came to have Edward MacDowell's Woodland Sketches. Most people know the first number, 'To a Wild Rose', but the rest of the set is...
Exploring the Shelves, 4: Chopin’s ‘Minute’ Waltz
If you google the 'Minute' Waltz, you'll find that it is a 'song by Arthur Rubinstein', which would have come as a surprise to Frédéric Chopin. In the UK the waltz (in D flat, opus 64 no 1) is famous because it's the signature tune of the long-running BBC radio show...
Exploring the shelves, 3: Albeniz ‘Suite Española’
I asked my husband if he knew Albeniz's Suite Española. 'Some of it', he said. Well, exactly. Some of the pieces in this Suite are popular - in versions for guitar or orchestra as well as the piano originals - but some are much less well known, as I realised when I...
Exploring the shelves, no 2: early Schubert sonatas
This is the second in my series about exploring some of the piano music I have neglected on my shelves. Today's discovery is Schubert - in particular, the realisation that he wasn't always the effortless master he became! I sat down to play through his early piano...
Exploring the shelves
... No, not the supermarket shelves! That's become well-nigh impossible in the coronavirus outbreak. As we're stuck at home, I've decided to explore some of the piano music I've had on my shelves for ages but never got around to learning. I have quite a few volumes of...
The impact of coronavirus on upcoming concerts
The coronavirus situation is constantly changing. Many people's plans have already been impacted by it, even though in Scotland, where I live, there are just a few cases at the moment. In the past few days I've had several worried concert promoters on the phone about...
The impact of Brexit on musicians
Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...
A fine insult learned from a piper
I have been reading an enthralling book, 'A Hundred Years in the Highlands', written in 1921 by Osgood Mackenzie. He was the founder and owner of the famous gardens at Inverewe. Osgood Mackenzie was an elderly man when he wrote the book and could recall childhood...
Bits of information needed to track down classical music
At a new year party I had an interesting chat with a young man who likes music and likes to listen to it at university along with his friends. He himself likes classical music among other kinds. Many of his friends are not familiar with the world of classical music,...