Blog
I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
‘The Piano – a History in 100 Pieces’ pops up in the Irish Independent
A belated review of my book The Piano - a History in 100 Pieces has been prompted by a debate on X, formerly known as Twitter. The debate began when comedian and actor Adrian Edmondson was the guest on Desert Island Discs and declared (half-humorously, I think) that...
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Giving feedback at competitions
At the competition in Munich last week (I was on the jury) I encountered a very modern problem. The way the competition was run was similar to most of the other competitions I've been involved with: at the end of each round, the results were announced. Those who were...
Disappearing piano tuners
There was an article in The Guardian this week about the dwindling number of highly-trained piano tuners in Australia. Not only is the pool of piano tuners getting smaller, it is in danger of not being replenished because there aren't enough training courses in this...
Catering van fantasies
Bob and I went for a walk on Wimbledon Common. A film crew must have been working nearby, because several of their vans were parked there. Outside the catering van, a large table had been set up in the open air, beautifully laid with plates of cakes and muffins, pots...
Watkins Sandwich
A memorable evening last night at Wigmore Hall. We’ve played in a few less-than-ideal acoustics recently (some too resonant, some too dry) so it was a real pleasure to hear the sound ringing through the air of the Wigmore Hall. Such an acoustic actually makes the...
In the lamplight
We went to Cambridge to play a concert in Peterhouse, the oldest and smallest of Cambridge University’s colleges. Our travel plans had gone awry, and we arrived an hour late and a bit agitated. Dusk was falling, and by the time we finished our rehearsal it was dark....
Bushes and briars
The critics of Gramophone magazine have been choosing their favourite discs of the year for the December issue, and Peter Quantrill has chosen the Florestan Trio's latest disc, of Haydn Trios (volume 2), as his personal favourite of 2009. He writes: 'I can't remember...
Territorial display
We were rehearsing this week in the home of a friend who keeps a pet canary in a cage in the kitchen. The canary was silent as we arrived and sat round the table, chatting and drinking coffee. But as soon as we went next door, picked up our instruments and started to...
Beethoven’s questions
For the past few days the trio has been rehearsing intensively. Over the next ten days we have two concerts at the Bath Mozartfest, a fundraising concert and dinner for the Florestan Trust, a concert at the University of Cambridge, a concert in the Wigmore Hall (with...
A joyful ‘Annie’
What a joy it is to see something being performed with superb commitment as well as style, talent and humour. That’s how we felt about Jane Horrocks and Julian Ovenden, the two stars of ‘Annie Get Your Gun’ at the Young Vic. I was slightly apprehensive about it...
Cambridge Companion to Recorded Music
My copy of the newly-published Cambridge Companion to Recorded Music arrived today along with about 35 other items of post suddenly released from the backlog of the current postal strike. My contribution to the book is just a short article on 'Learning to Live with...
Coughing in concerts
The other night, at the theatre, I was amazed by how freely people in the audience were coughing. At one point, the coughs became so frequent that it was like hearing bull-frogs calling to one another at night from different parts of the swamp. I actually started to...
Huw Watkins premiere
At last the printed score has arrived for the trio by Huw Watkins. We’re giving the world premiere in the Wigmore Hall on November 25. When the newly published score arrived, I already knew the notes of the piano part, because I’ve been working from an electronic PDF...
Step in Time
The choice of music on this series of Strictly Come Dancing is a great disappointment. What an opportunity they have to range over the world’s fantastic dance music, and what a shame they don’t take it! I find it particularly annoying when the on-stage band is so...
‘The Sacred Made Real’
An intriguing hour at ‘The Sacred Made Real’, a National Gallery exhibition of Spanish religious art from 1600-1700. Although it had some wonderful paintings, its main focus was a series of statues – of Christ, of Mary, and of various saints - carved from wood and...