I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
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This week I'm giving a recital of music by historical women pianist-composers. I'll be playing an Erard grand piano made at the end of the 19th century by the firm of Sebastien Erard in Paris. (Officially the piano is dated around 1900, but a technician told me he...
The Coronation of King Charles III came in the same week that we heard the organisation Psappha, which promotes new music, had been forced to close because of funding problems. This in itself followed hard on the heels of threats to close the BBC Singers and reduce...
This week I'm on the jury of the Trondheim International Chamber Competition, which this year is for piano trios. During the day we've been listening to nine piano trios playing very demanding programmes, and in the evenings we've been rehearsing for and playing in...
In Trondheim in Norway, where the chamber music festival this week is featuring the music of Australian composer Brett Dean. Stylish posters advertise the concerts around town, playing on the titles of works being performed in the festival, or on events associated...
Went to the Wigmore Hall to hear American jazz pianist Brad Mehdau in duo with mandolinist Chris Thile. It was a tremendous evening, and also an opportunity to witness quite a different sort of crowd in the Wigmore. They were, I have to admit, younger and cooler than...
For the last month or so I’ve had a wart on the tip of my left index finger. A wart! I’ve never had one before. I think I had associated them with ghastly mediaeval illustrations, or fairytales in which unpleasant things get inflicted by magic on evil-doers. Anyway,...
I’ve been in Italy for a few days. One evening I went to a concert in the courtyard of a lovely historic building in Bologna. The Italians are so lucky to have so many of these theatrical spaces and the climate which makes it possible to sit there, in the balmy air,...
A friend was telling me about a piano recital he attended last year in the Wigmore Hall. During a Beethoven sonata, members of the audience were distracted by a low buzzing noise emanating from somewhere in the room, and judging by the pianist's increasingly cross...
A thoughtful letter today from a reader about recordings. He’s noticed that musicians often say they dislike the manicured, edited-to-within-an-inch-of-their-lives recordings of today, and prefer the more ‘natural’, warts-and-all approach of the earlier twentieth...
The Ambialet piano course ended last night with concerts by the participants (see some of them in the photo). It never ceases to amaze me how people manage to raise their game in these circumstances, even though most of them find it a nerve-racking experience and...
Violinist Gidon Kremer has, I hope, set the cat among the pigeons with his decision to pull out of the Verbier Festival in Switzerland. His letter of explanation is long and somewhat rambling, but perhaps he did not have the time to make it shorter. In any case, his...
An interesting discussion with the NZ Trio who are visiting London this week from their native New Zealand. We were talking about the challenge of performing some of the very long works in the trio repertoire, such as the Schubert trios (40-50 minutes). Many of our...
To the First Night of the Proms last night, courtesy of some kind friends who had rented a box in the Royal Albert Hall. Benjamin Grosvenor, an excellent young British pianist who has only just turned 19, played Liszt’s second piano concerto with great finesse and...
At a Gaudier Ensemble rehearsal last week my colleagues, who come from various European countries, were discussing the unstoppable rise in pitch. Here in England we still tune to A=440 Hz, which has been ‘standard pitch’ since the mid-twentieth-century, though in the...