Last week I took part in the Cerne Abbas Music Festival, held by the Gaudier Ensemble in rural Dorset. For the past thirty-two years, the same group of musicians has been gathering in Cerne for a week in the summer, to present a series of chamber music concerts in the...
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I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
This week I'm giving a recital of music by historical women pianist-composers. I'll be playing an Erard grand piano made at the end of the 19th century by the firm of Sebastien Erard in Paris. (Officially the piano is dated around 1900, but a technician told me he...
Today, 27 October, at 1pm on Radio 3 you can hear the broadcast of a bassoon and piano recital given by Rachel Gough, the excellent principal bassoon of the London Symphony Orchestra, and me. The concert was part of a series at LSO St Luke's in the City of London,...
Yesterday, when I was coaching at King's Place, we had a tea break between sessions. Some of the younger participants were airing their current dilemmas about fees and conditions. In particular, they were wondering aloud about their situation as young professionals:...
On Tuesday morning, 19 October, I'm giving a masterclass in 'the art of piano chamber music' in the Recital Hall of the Royal College of Music in South Kensington from 10am-1pm. Tickets are free, but you have to book them via this link or by calling the RCM box office...
To East Bergholt in Suffolk for a concert with the Florestan Trio. The artist John Constable was born in East Bergholt, and used to walk through the fields to school in Dedham. He later said it was that landscape which inspired him to become a painter. Before the...
In BBC Music magazine, Rebecca Franks muses on why the musicians who write books about their experience of music tend to be pianists. Read her article. It's a fascinating topic and one I'm often asked about. There are various possibilities: pianists are loners, and so...
The first concert of the new season for the Florestan Trio is on Tuesday 5 October at 7.30pm at Wigmore Hall, part of the Schumann bicentenary celebrations. What is it about Schumann which makes him such a favourite of musicians? He isn’t always a favourite at the box...
The Wimbledon BookFest has asked me to mention them, and I'm happy to spread the word as my own event is one of the first in this year's BookFest. The festival runs from 2-10 October and you can find out more here. On the evening of Saturday 2 October I'm giving a...
Yesterday I was at a conference about creativity in performance. There were many interesting speakers, several of whom told anecdotes to make their points clear. At one point we were talking about the curious blend of involvement and detachment that seems to be...
Following on from yesterday's post about the Scottish International Piano Competition, anyone who's interested in the new chamber music round may like to read Kenneth Walton's article on the subject in today's Scotsman newspaper. The chamber final is tonight at 7pm in...
I'm in rainy Glasgow, half way through my fortnight on the jury of the triennial Scottish International Piano Competition. Obviously I can't say much as the competition is still in progress, but I can say how absorbing it's been to hear so many accomplished young...
Much discussion yesterday about Ben Goldacre’s ‘Bad Science’ column in the Guardian. This time he was reporting a piece of good science, a paper by Noola Griffiths which shows that young women violinists are judged more musical and more technically proficient if they...
Today's Glasgow Herald has an article about the Scottish International Piano Competition, which starts next week in Glasgow. I'm on the competition jury. The board of the competition have made some wise and welcome changes to the requirements, which we all hope will...