On Saturday, I appeared at the Wigtown Book Festival in Dumfries and Galloway in the west of Scotland (see photo of me being interviewed by Stuart Kelly). Wigtown is Scotland's 'national book town', boasting an astonishing number of bookshops for a small town which is...
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I often tweet about music and related matters. Usually the response is small - I'm thrilled if my tweets reach a couple of hundred people. So my experience yesterday was exceptional. I was watching The Queen's funeral which, as you'll know, had a variety of music in...
At the Edinburgh Festival this week we went to the Usher Hall to hear the French orchestra Les Siècles performing Stravinsky's Rite of Spring on instruments of the period. (The difference in those instruments was not immediately apparent, though there was a soft grain...
I was in the audience this week at a concert of ‘early music'. At one point, a harpsichordist played a piece. Between two of its variations he pulled out a harpsichord stop which produced a different tone colour, and then he played a fast variation. When it was over,...
I recently made up a couple of cadenzas for a Haydn piano concerto. I kind of improvised them at the piano, and played them in the concert without ever writing them out. Afterwards, I thought I'd try and note them down before I forgot them entirely. Cadenzas are...
Last night's Prom offered the invigorating spectacle of the BBC Scottish Symphony Orchestra playing beautifully under their fine young conductor Ilan Volkov. One of the good effects of globalisation has been on the standards of orchestral playing. Because of the...
I've been thinking about Charles Hazlewood's article in Monday's Guardian. He wrote about some open-air orchestral concerts he's going to conduct in a field in Somerset, explaining that he wants to bring great music out of the intimidating concert hall and into a fun...
Last night, I stupidly didn't watch the first part of the MGM Film Musicals Prom on television, and only turned on for the second half. I'm so used to concerts of this kind being slightly embarrassing; orchestras often sound uncomfortable with the idiom, and there's...
Last night we went to hear Mendelssohn's 2nd Symphony at the Proms, played by the excellent Hallé Orchestra under their conductor Sir Mark Elder. A few weeks ago, Bob reviewed all the available recordings of Mendelssohn's 2nd Symphony for Radio 3's CD Review 'Building...
The final concerts of my season took place last week at the Cerne Abbas Music Festival in Dorset with the Gaudier Ensemble. During the festival we gave a late-night performance of Messiaen's ‘Quartet for the End of Time' in a candlelit church, with no other lights...
Controversy in the press about whether Proms audiences should be discouraged from clapping so much. What's under the spotlight is the Prommers' habit of clapping in between movements, and the growing sport of racing each other to be the first to applaud vociferously...
Listening to Desert Island Discs on radio this morning, I was startled to hear impresario Harvey Goldsmith discussing the ‘riders' - or additional contractual requests - demanded by some of his pop artists and their entourages to make their lives more pleasant on...
I've started to prepare for the next festival I'm involved in, the annual chamber music festival of the Gaudier Ensemble. It takes place in the lovely old village of Cerne Abbas in Dorset in July. This year I have a few little piano solos and ten different chamber...
It's now a week since the Florestan Festival ended, and lots of people have been kind enough to write and say what they thought of it. One thing is very interesting: there's enormous variety in what people enjoyed best. Some relished the things which were new for...
People sometimes ask where they can find my 1990 disc of piano music by Billy Mayerl, and I haven't been able to tell them. Since Virgin Classics was bought by EMI, and after parts of EMI were moved to Paris, it's become very hard to follow the fate of a record which...