Last week I took part in the Cerne Abbas Music Festival, held by the Gaudier Ensemble in rural Dorset. For the past thirty-two years, the same group of musicians has been gathering in Cerne for a week in the summer, to present a series of chamber music concerts in the...
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I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
This week I'm giving a recital of music by historical women pianist-composers. I'll be playing an Erard grand piano made at the end of the 19th century by the firm of Sebastien Erard in Paris. (Officially the piano is dated around 1900, but a technician told me he...
Last night's Prom offered the invigorating spectacle of the BBC Scottish Symphony Orchestra playing beautifully under their fine young conductor Ilan Volkov. One of the good effects of globalisation has been on the standards of orchestral playing. Because of the...
I've been thinking about Charles Hazlewood's article in Monday's Guardian. He wrote about some open-air orchestral concerts he's going to conduct in a field in Somerset, explaining that he wants to bring great music out of the intimidating concert hall and into a fun...
Last night, I stupidly didn't watch the first part of the MGM Film Musicals Prom on television, and only turned on for the second half. I'm so used to concerts of this kind being slightly embarrassing; orchestras often sound uncomfortable with the idiom, and there's...
Last night we went to hear Mendelssohn's 2nd Symphony at the Proms, played by the excellent Hallé Orchestra under their conductor Sir Mark Elder. A few weeks ago, Bob reviewed all the available recordings of Mendelssohn's 2nd Symphony for Radio 3's CD Review 'Building...
The final concerts of my season took place last week at the Cerne Abbas Music Festival in Dorset with the Gaudier Ensemble. During the festival we gave a late-night performance of Messiaen's ‘Quartet for the End of Time' in a candlelit church, with no other lights...
Controversy in the press about whether Proms audiences should be discouraged from clapping so much. What's under the spotlight is the Prommers' habit of clapping in between movements, and the growing sport of racing each other to be the first to applaud vociferously...
Listening to Desert Island Discs on radio this morning, I was startled to hear impresario Harvey Goldsmith discussing the ‘riders' - or additional contractual requests - demanded by some of his pop artists and their entourages to make their lives more pleasant on...
I've started to prepare for the next festival I'm involved in, the annual chamber music festival of the Gaudier Ensemble. It takes place in the lovely old village of Cerne Abbas in Dorset in July. This year I have a few little piano solos and ten different chamber...
It's now a week since the Florestan Festival ended, and lots of people have been kind enough to write and say what they thought of it. One thing is very interesting: there's enormous variety in what people enjoyed best. Some relished the things which were new for...
People sometimes ask where they can find my 1990 disc of piano music by Billy Mayerl, and I haven't been able to tell them. Since Virgin Classics was bought by EMI, and after parts of EMI were moved to Paris, it's become very hard to follow the fate of a record which...
We're just back from the Florestan Festival at Peasmarsh. What an extraordinary thing a festival is. A few hours before the first concert, the church is completely quiet, the country lanes are empty, and you can't imagine that anyone will really come. You finish the...
Despite this week's rehearsals for the Florestan Festival I've managed to watch several rounds of the BBC Cardiff Singer of the World Competition on television (the Final is on Sunday). I've been following this bi-annual competition for many years and always find it...