Preparations are going well for my recital at London's Wigmore Hall on 17 April at 1pm. If you live near London, I hope you might come along. I can't remember if I've told this story before, but I can't track it down in a previous blog post, so here it is, with...
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I've been reading An Angel at my Table, the autobiography of New Zealand writer Janet Frame. It's an unusual and absorbing read. Janet Frame grew up without much access to music, but when she first came across classical music she loved it. Gradually she gathered some...
Tickets have just gone on sale for my lunchtime recital at Wigmore Hall in London on Friday April 17. Click here for booking information. As you'll read on the Wigmore Hall website, the concert marks the publication of my book on the history of the nocturne. To give a...
I'm preparing for my two appearances at the London Piano Festival in King's Place on Saturday October 5. At 2pm I have a solo lecture-recital on Schubert's A major Sonata D959. At 7pm I'll be joining the other festival pianists in a 'two-piano marathon' concert. Most...
The marvellous National Youth Orchestra Prom concert with Nicola Benedetti last week has set me reminiscing about my time in the NYO (in the photo, I have long fair hair and am just to the left of the middle of the group, playing 2nd violin.) Watching the NYO Prom on...
After a recent concert a member of the audience was telling me how much she'd enjoyed it. 'I always say it's great to hear top professionals playing, because it's only when people have really mastered the notes that they can think about how music communicates', she...
Last week I had the opportunity to sit at the side of a church and watch the faces of the audience as they listened to a wonderful concert. It was interesting to observe the array of expressions, some clearly related to the music, others not. I saw people who were:...
The other day I went to the Bridget Riley exhibition at the Scottish National Gallery. In one room, there was a large Riley painting, painted directly onto a white wall. I stepped forward to read the plaque. It said the painting was owned by a gallery in Germany. How...
There's so much talk about 'fake news' at the moment. Most of us are gradually getting better at spotting it. Fake news often seems to be accompanied by a certain style of presentation, which we often see in public speaking. Smiles that don't arise from the inside. An...
Recently for work reasons I've had to look through the websites of lots of different young musicians and chamber groups. Websites are dazzling! It's clear that everyone now employs sophisticated media skills and professional designers. Gorgeous artwork, glamorous...
I did some guest teaching at the University of St Andrews the other day. During one of my sessions, a member of the audience asked an interesting question. I didn't know the answer and am still thinking about it. He said: 'I have some modern recordings of Baroque...
I'm preparing for next weekend's Winterplay, my mini-festival of collaborative music at the Queen's Hall in Edinburgh. We have a children's music-and-movement workshop led by Monica Wilkinson, a music and words event with Janice Galloway, a pre-concert talk by Robert...
As the Brexit story accelerates, musicians are still in the dark about what will happen to their freedom of movement after we leave the EU. For two and a half years now I have been listening to colleagues and students worrying about whether they will still be able to...
The year got off to a flying start with a mention of Winterplay in The Scotsman's preview of concerts to look forward to in 2019. After talking about the Edinburgh International Festival, it goes on to say: 'On a far smaller scale, though just as rewarding, is pianist...
This Sunday morning, 14 October, ABC radio in Australia is broadcasting a substantial interview with me on 'The Music Show', presented by composer Andrew Ford. We were talking about my book 'Speaking the Piano'. The interview was recorded with me in Edinburgh and...