When I was playing in Birmingham a couple of weeks ago, I had an interesting conversation with a student there. (Birmingham University is rightly protective of its students' identities, so I won't name her.) She was studying aspects of the history of women playing...
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I was at Steinway Hall in London the other day to try some pianos for a recording project later this year (of which more news soon). Chief technician Ulrich Gerharz had helped me - after discussing the repertoire and the venue - to whittle the choice down to two...
I was lying awake in the night, with music playing in my head as it usually does when I'm awake in the wee small hours. Sometimes I set the music going consciously, as for example when I'm 'practising' something I'm currently trying to learn or memorise. At other...
During lockdown I have had plenty of time to practise slowly. Normally, I practise things because I'm getting ready to perform them. But with all concerts cancelled, there was no reason to prepare in the usual way - that is to say, securing things in a way that I knew...
Most people who learn piano will have come across Bach's Two-Part Inventions, but their eyes may not have alighted on his Foreword. Mine hadn't until the other day. 'Forthright instruction, wherewith lovers of the clavier, especially those eager to learn, are shown in...
This is probably the penultimate in my lockdown series about neglected music on my shelves. It has been a helpful focus for me during a phase when more people had time to read. As we start to come out of lockdown, it seems right to wrap it up. I'll try to get to...
Here's a curious piece from the late Baroque, composed by an 18th century Spanish priest who was a contemporary of Scarlatti. Padre Antonio Soler began studying music at his local monastery when he was only six, and by 14 had his first appointment as a cathedral...
Recently, at a Zoom meeting of my piano club, one of our members played Samuel Coleridge-Taylor's Petite Suite de Concert. It was new to most of us, but we were all struck by its charm. I remember being puzzled when I first heard of a composer called Samuel Coleridge...
Zoom music-making has been a feature of lockdown. Hardly a week passes without someone sending me a link to a recording: Zoom choirs, Zoom orchestras and ensembles, each performer singing or playing away in their own home and on their own little screen. To create a...
We're hearing a lot about the days of heedless international travel being over for classical musicians. In today's Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It's worth remembering that darting about to play in San...
Here's a neglected piece! Years ago, 'Rustle of Spring' was a favourite with amateur pianists, often of the older generation - 'Uncle So-and-So's party piece', to be trotted out (possibly in abridged form) at parties. But I haven't seen it on a concert programme for...
The other night, after watching the last in the category finals of 'BBC Young Musician', I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My...
Volume One of Mendelssohn's complete solo piano music is on my music desk. Mendelssohn was an astonishingly precocious chap and wrote some of his finest music - the Octet for Strings, for example - when still a teenager. He was first and foremost a pianist, so it's...
It's been eight weeks in lockdown now. (Photo: Edinburgh Castle with no visitors.) On the whole, I have been coping fine. Long experience of working at home had prepared me for #stayhome. However, it turns out that my peace of mind during solitary periods of...
Another find in a secondhand book sale was a volume of Dvorak Humoresques. Who knew there were eight of them for piano? I confess I only really knew the Humoresque made famous by Fritz Kreisler, Jascha Heifetz and others in arrangements for violin and piano....