Blog
I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
The imaginary concert hall at the end of the street
A friend and I have been discussing the career of a mutual friend who died recently. He was a fabulous musician who wasn't as well known as he should have been. Writers and visual artists can stay put in the place where they choose to live, and create their work...
Get The Latest Posts
Interested in what Susan has to say about all things classical music? Subscribe below and whenever Susan writes a new blog post you will be notified by email. Simple!
Watching the Van Cliburn piano competition
I have been keeping half an eye on the 2025 Van Cliburn piano competition in Texas, partly because when I was writing Women and the Piano I did a fair amount of research into the gender disparity one can see in the lists of piano competition prizewinners around the...
The difficulty of ending in tempo and without a pause
When you play a lot of Romantic piano music, you get used to the final notes being extended by a written pause. Composers like Chopin and Schumann often wanted the last chord to ring on gently (or triumphantly) while the mood of the piece hung in the air. We pianists...
Home from Prussia Cove
I haven't written anything here for a while because I've been away at the International Musicians' Seminar 'Open Chamber Music' in Prussia Cove, Cornwall. We had a week of rehearsals in Prussia Cove (see photo), and then eight of us did a week of touring, giving five...
Richard Tauber sings Léhar
A reader has reproached me for not including the classic Richard Tauber recording in my previous blog post about different versions of Léhar's aria 'Dein ist mein ganzes Herz'. He points out that the composer actually wrote with Tauber's voice in mind, so mine was...
Léhar’s aria
One of the highlights of Saturday's 'Last Night of the Proms' was Jonas Kaufmann singing 'Dein ist mein ganzes Herz' from Franz Léhar's operetta 'The Land of Smiles' (Das Land des Laechelns). Oh my goodness, what a song! So beautifully constructed, such clever and...
Noisy piano practice
In the admin section of my website, I can see what search terms people are most commonly using. For months now, the most popular search terms have been 'noisy piano practise in apartment', 'neighbour nuisance from piano playing', 'how to stop pianist practising...
LCMS review of my book
Excerpt from a review of my book 'Sleeping in Temples', in the newsletter of the London Chamber Music Society (you can download the whole newsletter from their site). 'I don't usually 'judge a book by its cover', but in this case the cover is a lovely place to start:...
Women composers on the A-level syllabus
17-year-old Jessy McCabe's petition for more women composers to be on the A-level music syllabus has been in the news today. It has generated quite a lot of interest and discussion, too. Good for her. The Independent asked if I had any comments to add, and some of my...
The changing status of reviews
The news that Alex Ross is now the only full-time classical music critic on an American magazine has got me thinking about the changing status of reviews. Gone are the days when an 'important' concert would routinely be reviewed by all the major papers. When I was a...
Pitch rolling
I went to a concert recently (I won't say where or when). In the group was an older musician playing quite a prominent role on a string instrument. Unfortunately his control of pitch had become unreliable. He was smiling and concentrating, trying to play the right...
25 years of the Cerne Abbas Festival
Just back from the 25th anniversary festival run by the Gaudier Ensemble in the lovely old Dorset village of Cerne Abbas (in the photo I'm rehearsing a Mozart piano concerto with (from L to R) Marieke Blankestijn, Lesley Hatfield, Iris Juda, Steve Williams and...
Edward Greenfield: a word of appreciation
Sad news that Edward Greenfield has died. He was senior music critic of The Guardian for many years, and a longstanding contributor to Gramophone magazine. Although 'Ted' was a professional critic, it always seemed to me that he was determined to accentuate the...
Scottish Journal of Performance: book review
'Sleeping in Temples is the fourth book by the pianist and author Susan Tomes. The book is drawn from the author’s memories, experiences and thoughts about the music she has been intensely and sincerely committed to as a pianist performing at the highest international...
Australian radio interview coming up
I recently did an interview with Andrew Ford of the Australian Broadcasting Corporation's 'The Music Show'. We talked mainly about my book 'Sleeping in Temples', but strayed onto other topics such as why it is that, in the last movement of Beethoven's E major piano...