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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
‘The right tempo for this music’
The other day I was playing through some of Schubert's 'Deutsche Tänze' or German Dances, little dances in triple time which were very popular in Schubert's day. His many 'Deutsche' were clearly designed for practical use, such as someone playing them on the piano...
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London Piano Festival this weekend
On Sunday of this week I'll be playing a programme of piano music by historical women pianists at the London International Piano Festival at King's Place. Mine is the closing concert of the festival, at 3pm on 6th October. If you live in or near London, please...
Competitions then and now
I've been watching the BBC Young Musician competition on television for many years now. Slowly, the competition has slipped from the major channels and is now shown on BBC4, whose output currently seems to consist of repeats, archive material and cultural things that...
Calligraphy Blues
I recently made up a couple of cadenzas for a Haydn piano concerto. I kind of improvised them at the piano, and played them in the concert without ever writing them out. Afterwards, I thought I'd try and note them down before I forgot them entirely. Cadenzas are...
The poetry of spam
Whenever I delete spam mails from this blog I'm intrigued by their prose style. Sent by shadowy advertisers, this special type of spam is targeted at blogs. I'm still fooled sometimes because they quote the title of one of my own blog posts, and appear to be a...
Flying the Flag
Last night's Prom offered the invigorating spectacle of the BBC Scottish Symphony Orchestra playing beautifully under their fine young conductor Ilan Volkov. One of the good effects of globalisation has been on the standards of orchestral playing. Because of the...
‘The Dark Side of Piano Competitions’
An American friend has sent me an article from last Friday's New York Times about piano competitions. Michael Johnson, who has served on prestigious competition juries, laments the corruption that allegedly prevails. Perhaps there are competitions whose juries engage...
A book review in today’s Guardian
In the Review section of today's Guardian, I've written a review of Daniel Levitin's book, 'The World in Six Songs'. If you'd like to read the review, here's the link.
Feeling free to be themselves
I've been thinking about Charles Hazlewood's article in Monday's Guardian. He wrote about some open-air orchestral concerts he's going to conduct in a field in Somerset, explaining that he wants to bring great music out of the intimidating concert hall and into a fun...
That’s entertainment
Last night, I stupidly didn't watch the first part of the MGM Film Musicals Prom on television, and only turned on for the second half. I'm so used to concerts of this kind being slightly embarrassing; orchestras often sound uncomfortable with the idiom, and there's...
The Hallé at the Proms
Last night we went to hear Mendelssohn's 2nd Symphony at the Proms, played by the excellent Hallé Orchestra under their conductor Sir Mark Elder. A few weeks ago, Bob reviewed all the available recordings of Mendelssohn's 2nd Symphony for Radio 3's CD Review 'Building...
Messiaen by candlelight
The final concerts of my season took place last week at the Cerne Abbas Music Festival in Dorset with the Gaudier Ensemble. During the festival we gave a late-night performance of Messiaen's ‘Quartet for the End of Time' in a candlelit church, with no other lights...
Clapping at the Proms
Controversy in the press about whether Proms audiences should be discouraged from clapping so much. What's under the spotlight is the Prommers' habit of clapping in between movements, and the growing sport of racing each other to be the first to applaud vociferously...
Looking at Toscanini
I watched a fascinating TV drama-documentary about conductor Arturo Toscanini. During his lifetime he was famous for his expressive gestures when conducting. Orchestral musicians who played for him said that it was always perfectly clear what he wanted them to do. It...
No mud-wrestling rings
Listening to Desert Island Discs on radio this morning, I was startled to hear impresario Harvey Goldsmith discussing the ‘riders' - or additional contractual requests - demanded by some of his pop artists and their entourages to make their lives more pleasant on...