Today my Nocturne book comes out in the US. I'm looking forward to having access to an enormous new group of potential readers. Yes, I know it will be of interest only to a certain subset of them - but still an enormous subset! I tell myself that a book like mine...
Interested in what Susan has to say about all things classical music? Subscribe below and whenever Susan writes a new blog post you will be notified by email. Simple!
I was on my way to Wigmore Hall in London for my recital a few days ago when this very pleasing review of my Nocturne book popped up on Presto Music. I think reviews are a new kind of offering on Presto Music, so in case readers haven't come across it, I thought I'd...
To go alongside my new book, The Guardian has commissioned an article from me about the history of the nocturne. You can read the article here and it should be in the print edition tomorrow, Wednesday 1 April. One nice thing about online articles is that they can...
This week I tweeted a link to my TLS review of pianist Evgeny Kissin's book, 'Memoirs and Reflections'. Some readers told me that the Times paywall had barred them from reading the whole review, so for anyone didn't have a chance to buy the TLS, here is the review: 'A...
Today the Herald has an arts supplement with Books of the Year 2016 chosen by various guest selectors. Broadcaster Sheena McDonald has chosen my book 'Sleeping in Temples' as one of her books of the year: 'What makes a successful concert pianist? The...
Clearing out old files this week I came across an article called 'A Talk with Gyorgy Sebok', from a 1976 edition of Piano Quarterly. It was an interview of the Hungarian piano guru Gyorgy Sebok by a colleague, pianist Seth Carlin. Sebok taught in Indiana University;...
Yesterday I spoke about my book 'Sleeping in Temples' at the Wigtown Book Festival (see photo), a merry gathering in 'Scotland's Book Town' in the rolling hills of Dumfries and Galloway. Arriving there for the first time in driving rain and wind wasn't the perfect...
On a night when the brilliant Russian pianist Daniil Trifonov was playing at the Usher Hall as part of the Edinburgh Festival, it was not to be expected that any piano fans would still be available to come to the Edinburgh Book Festival to hear my talk, which clashed...
Over the Christmas holidays I've been talking with friends and family about the topic of my next book. I've got some ideas of my own, but one night someone suggested to me that I could 'crowd-source' ideas from people who read my blog. If 'crowd-source' seems a little...
Yesterday's Guardian Review carried a fascinating article by Michael Church, editor of 'The other classical musics - fifteen great traditions', a new assortment of essays by Church and other world music experts published by Boydell Press (who also publish my books)....
Excerpt from a review of my book 'Sleeping in Temples', in the newsletter of the London Chamber Music Society (you can download the whole newsletter from their site). 'I don't usually 'judge a book by its cover', but in this case the cover is a lovely place to start:...
Sad news that Edward Greenfield has died. He was senior music critic of The Guardian for many years, and a longstanding contributor to Gramophone magazine. Although 'Ted' was a professional critic, it always seemed to me that he was determined to accentuate the...
'Sleeping in Temples is the fourth book by the pianist and author Susan Tomes. The book is drawn from the author’s memories, experiences and thoughts about the music she has been intensely and sincerely committed to as a pianist performing at the highest international...
I recently did an interview with Andrew Ford of the Australian Broadcasting Corporation's 'The Music Show'. We talked mainly about my book 'Sleeping in Temples', but strayed onto other topics such as why it is that, in the last movement of Beethoven's E major piano...
The new issue of Chamber Music America magazine has as its endpiece an abridged version of one of the chapters of my book 'Sleeping in Temples'. It's the chapter called 'The Iceberg', in which I contrast the huge amount of time most musicians spend practising and...