This week I've been trying to find out what happened to the album of Mozart piano and violin sonatas that the wonderful Viennese violinist Erich Höbarth and I made in 2012. (That's us in the photo.) It was compiled from live recordings of a concert series we performed...
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It was great to be part of the RSNO chamber series in Glasgow yesterday afternoon in its first 'live' concert for an in-person audience since the pandemic. That's a gap of almost three years! Photo shows (L to R) cellist Pei Jee Ng, me, violist Tom Dunn, violinist...
I'm preparing for a solo recital at Kettle's Yard museum in Cambridge on November 24th. Kettle's Yard is a beautiful little museum which began in the 1950s as a personal art collection by Jim Ede, who used his own house as the display venue. It was the first gallery I...
Today I've been rehearsing a quintet for piano and strings with some very fine players using some very fine old Italian string instruments. I'm never sure if it's good to say who owns what, so I'll just say that these top-league instruments sounded incredible. One of...
I've been putting together a special performing score of my Haydn piano concerto for the Florestan Festival. I'm going to be directing the performance ‘from the keyboard', and I don't want to have too many pages to turn. There's so much else going on in the festival -...
Last night we attended the dress rehearsal of Handel's opera ‘Giulio Cesare' at Glyndebourne, thanks to a friend in the orchestra who kindly gave us tickets. Dress rehearsals at Glyndebourne, which are free but reserved for friends, family and supporters' groups of...
The index finger of my left hand has been painful for some days. I think I whacked the piano keyboard too hard during a phrase marked ‘brutal' in a performance of Messiaen last week. Next morning, I picked up a mug of tea and it really hurt to curl my finger around...
Practising Schubert's E flat trio for a concert tonight, I remembered a delightful moment in a talk Bob gave about Schubert's chamber music at the Florestan Festival a couple of years ago. He told the audience about the earliest known biography of Schubert, written by...
Several people have got in touch about the difficulty of musicians getting their concerts reviewed by the press. They point out that where they live, newspapers are ‘letting go' of their classical music critics and shrinking the team of arts critics generally. The...
Last week my trio played two concerts in Wigmore Hall, one of the world's premier venues for chamber music. Both concerts were sold out, with people standing at the back and people being turned away at the box office. Yet there was not a single review in any...
This morning my trio had a Coffee Concert at the Wigmore Hall. It meant being in central London at 9am for our rehearsal, so last night I went to bed quite early, in the hope of being well rested. But this strategy rarely works, and as well as sleeping badly, I had...
In my work as a classical performer, nothing beats the feeling of playing to a sold-out Wigmore Hall, with people standing at the back. That was my trio's fortunate experience in London last night. I had invited a friend who doesn't often go to concerts of this type....
If anyone would like to hear the Florestan Trio playing live on radio and chatting about its Wigmore Hall concerts this week, we'll be on BBC Radio 3's drive-time programme, In Tune, this evening between about 6.15-6.45pm. We'll be playing Beethoven, Shostakovich and...
To the Festival Hall this morning with Bob to attend an Open Rehearsal of the Simon Bolivar Youth Orchestra from Venezuela. By the time we got round to asking about tickets for their two London concerts, they had long been sold out. This open rehearsal is our only...
We went to the Orange Tree Theatre to see the premiere of a play, ‘The Story of Vasco', translated and adapted by Ted Hughes from an original play by Lebanese writer Georges Schehadé. Hughes' adaptation had never before been performed in its entirety; the director had...