I've now finished working my way through the volume of Mozart piano sonatas (a sonata a day keeps the doctor away) and have started playing through Beethoven's again. The early Beethoven sonatas have made me think about what makes the difference between a theme and a...
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I've been gradually playing through the whole volume of Mozart piano sonatas, and the other day I reached the B flat Sonata, K333. This piece holds unpleasant memories for me because when I was doing my O-levels, or Highers, I forget which, I had to perform some of it...
A new series of Channel 4's 'The Piano' has begun. Judge Mika is still there, but Lang Lang has left the show and in his place is the multi-talented American musician Jon Batiste. For anyone who isn't familiar with the show, this is the concept: an upright piano is...
I'm coming towards the end of my week in Fiesole, a week of baking heat during which I have realised that much of the music we've been studying must have been written in a cooler climate. In this kind of intense heat we can hardly face playing, or even hearing, some...
A few months ago, disheartened by the difficulty of 'growing' my blog readership, I consulted some of my students about the situation. I say 'students' but in fact they are all high-achieving young professionals who come for the occasional coaching. They all agreed...
Sad news this week that Steinway Pianos is to be sold to a private equity company. What does this mean for pianists? On the face of it, nothing; it's just a change of owner for the firm. But a friend writes from New York that the Steinway showroom on Manhattan's 57th...
Listened to Sir Mick Jagger being interviewed about his upcoming Glastonbury appearance by John Humphrys on the Today programme this morning. John asked Mick what had changed about rock music since he started his career. Mick's reply ranged over things like lyrics,...
I have had a lovely day playing chamber music with two fine musicians I met last year at Prussia Cove during the IMS 'open chamber music seminar' - Bogdan Bozovic and Anita Leuzinger. They flew in specially from Switzerland. Together with Erich Höbarth we're doing a...
I'm almost at the end of a longish period of learning the notes of a batch of works I'll be playing over the summer in different concerts and festivals. The large pile of music on the side of my piano has loomed fearsomely over me for a while, but is now starting to...
Feeling slightly disturbed by large advert in today's Guardian: 'Do you know the value of your instrument?' it asks, above a photo of 'A Fine French Violin by JB Vuillaume'. It goes on, 'The last 20 years have seen a huge price increase in the value of musical...
In today's Guardian I have a letter on the subject of political lobbying, which is headline news in the UK at the moment. The letter was cut before being published, and I felt that part of my specific point had been lost, so in case anyone would like to read the full...
Since my last post, I've heard from a number of fellow pianists who don't play from memory because they specialise in song recitals or chamber music, and have a vast and ever-changing repertoire. They point out that one good reason to experiment with playing from an...
Yesterday BBC Music Magazine tweeted that pianist Artur Pizarro had played a concert in which he read from the music, using an iPad to display the notes. It's one of several recent reports about classical musicians using the score, reading from an electronic gadget of...
".... your ultimate companion to a summer of music", says today's Guardian Guide to Festivals. But is it? Not if classical music is your thing. I subscribe to the Guardian, look forward to reading it every day and love it to bits, but every year when they publish...
I've just signed up for Twitter. My Twitter username is @susantomespiano and there's a 'follow me on Twitter' button on the left-hand side of this page. It's daunting, because I already feel I'm drowning in email. But the younger generation keeps telling me I really...