Welcome to my new website! If you’re a seasoned visitor, I hope you like the new look. Last night I went to a fundraising concert in aid of MAP, Medical Aid for Palestinians. It was arranged at short notice and held in St Mary’s Cathedral in Edinburgh. As I bought...
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Last week I took part in the Cerne Abbas Music Festival, held by the Gaudier Ensemble in rural Dorset. For the past thirty-two years, the same group of musicians has been gathering in Cerne for a week in the summer, to present a series of chamber music concerts in the...
I was in Cambridge at the weekend to give a piano recital as part of the events marking fifty years of women as undergraduates at King's College, Cambridge. As well as playing a concert, I was also there to see the opening of a special exhibition: Fifty Portraits, a...
One of the professors at the RSAMD said a very interesting thing when I was there the other day. We were talking about the difference that the existence of recordings has made to learning new works. He said that it's quite common for his students to come to their...
Fascinating article in today’s Guardian about the hidden antagonism which some top sportsmen feel, or come to feel, towards their chosen sport. It seems they’re reluctant to voice such feelings because they know the general public regards them as fortunate beyond...
We had dinner last night with a friend who plays professionally in a string quartet. He’d been coaching a young string quartet from Paris. They got to talking about rehearsal venues, always a vexing problem for chamber groups and one that I and my friends have never...
In the past few days I’ve spent some time studying scores of pieces I’m going to be teaching in a masterclass at the RSAMD this week. The date has been in my diary for a long time, but because the academic year only began a couple of weeks ago, it was impossible to...
To Steinway Hall in London, to choose a piano for the Florestan Trio’s Hyperion recording of Shostakovich next January. Whenever I'm able to select an piano, I have to do my research well ahead of time, because the best ones get booked up months in advance. Each...
Philippa Ibbotson’s article in Wednesday’s Guardian about ‘the myth of the maestro’ has stirred up a lot of interest. Last time I looked, there were about 130 comments on the Guardian blog. The article questioned the enormous fees paid to orchestral conductors,...
After lamenting the lack of music in Venice churches, I had the opposite experience yesterday when attending Evensong in the Chapel of King’s College, Cambridge. It’s always uplifting to hear the Chapel resounding to the pure intonation and chiselled phrases of the...
I’ve just been in Venice for a few days. The city was on the cusp of autumn – warm and sunny but with thunderstorms looming, and mist in the morning on the day we left. We visited about 547 churches. As ever in Italy, I’m disappointed by how rarely one hears any music...
In November, my trio is giving the premiere of a new work which has been written for us – is being written for us, I should say – by Huw Watkins. Earlier in the summer I pestered Huw to let me have what he’d written so far, and though the parts aren't fully finished...
There's been a lot in the press this summer about middle-aged women and the way they're unceremoniously dropped from positions such as BBC newsreader or presenter. Newsreader Selina Scott brought the topic to everyone's attention with her age discrimination claim...
I was in the audience this week at a concert of ‘early music'. At one point, a harpsichordist played a piece. Between two of its variations he pulled out a harpsichord stop which produced a different tone colour, and then he played a fast variation. When it was over,...
I recently made up a couple of cadenzas for a Haydn piano concerto. I kind of improvised them at the piano, and played them in the concert without ever writing them out. Afterwards, I thought I'd try and note them down before I forgot them entirely. Cadenzas are...