Debussy's Prelude 'La Puerta del Vino', from his second book of Preludes for piano (written 1912-13), has been one of my favourites for a long time. I've always loved its evocation of harsh guitar music, flamenco singing and the rhythms of the habañera. Long ago I...
Interested in what Susan has to say about all things classical music? Subscribe below and whenever Susan writes a new blog post you will be notified by email. Simple!
Today is 'World Piano Day' (as if every day wasn't piano day!) and Yale University Press has been tweeting a little clip of me talking about the French pianist-composer Hélène de Montgeroult. De Montgeroult is one of the pianist-composers featured in my new book Women...
A reader has asked me to specify my favourite books of the year. I keep a note in my diary of the books I read, and this year I read 42 books in their entirety, plus a few more I didn't finish. Here are my top five favourites: 1. The Radetzky March by Joseph Roth....
After a long winter in the deep freeze (in more ways than one) - at last! - a concert to tell you about. It won't be performed in front of a live audience - that long-awaited moment is probably still months away- but it will be broadcast on YouTube and Facebook on...
In a cheese shop the other day, conversation turned to exotic cheeses and someone mentioned Gjetost, the Norwegian goat's milk cheese which looks like a block of fudge and has a distinctive, caramel element to its taste. It's a cooked cheese made with whey and cream,...
One of our regular walks in the nearby hills takes us past a cornfield, which we discovered in the first lockdown. It was Spring then, and the field was softly green. We were thrilled to see larks emerging from their hiding-places among the rows of corn, rising up...
This week we watched Amy Berg's 2015 documentary about Janis Joplin, 'Little Girl Blue', which tells Janis's story with the help of letters she wrote to her family while on tour. It's an absorbing watch, full of great footage, excellent interviews with her family,...
Last night, on Burns' Night, my book group met on Zoom to read Robert Burns' poem 'Tam O'Shanter'. Several members of the group had grown up taking part in annual Burns recitations on January 25, with prizes given for the best or most dramatic performances. They...
Last weekend, reading the Guardian Review, I was struck by a comment of Joe Moran's about having learned to play the spoons in lockdown. I was vaguely aware of spoons as musical instruments, but a bit of research put me in the picture: spoons have long been used to...
One positive aspect of this year's lockdowns has been seeing more wildlife in the city's green spaces. Earlier in the year, when there was very little traffic, animals seemed to pluck up courage to venture on to the quiet golf courses, parks and hillsides. We saw lots...
On Monday, cellist Philip Higham and I played one of the first post-lockdown concerts for a socially distanced live audience at Wigmore Hall (see photo). At first, we had been told that only 56 people would be allowed in the audience, but the rules changed and we were...
On Monday, 14 September at 7.30pm, cellist Philip Higham and I will be stepping in at short notice to play a duo recital at Wigmore Hall in London. We're replacing two artists caught up in quarantine rules. With countries hopping on and off the quarantine list, the...
Most people who learn piano will have come across Bach's Two-Part Inventions, but their eyes may not have alighted on his Foreword. Mine hadn't until the other day. 'Forthright instruction, wherewith lovers of the clavier, especially those eager to learn, are shown in...
This is probably the penultimate in my lockdown series about neglected music on my shelves. It has been a helpful focus for me during a phase when more people had time to read. As we start to come out of lockdown, it seems right to wrap it up. I'll try to get to...
Here's a curious piece from the late Baroque, composed by an 18th century Spanish priest who was a contemporary of Scarlatti. Padre Antonio Soler began studying music at his local monastery when he was only six, and by 14 had his first appointment as a cathedral...