'Musings' Blog Post Archive
Marmalade

Marmalade

At last, Seville oranges have appeared in the shops, which means it is time for marmalade making. Bob is the marmalade maker around here. Each January he tries to make enough Seville marmalade to last us through the year. You can make marmalade from other kinds of...

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Hallucinations

Hallucinations

Historian Tom Holland was guest-editing the 'Today' programme on BBC Radio 4 recently. He spoke about his experience of AI 'hallucinations', that now increasingly well-known phenomenon whereby Artifical Intelligence makes up information in response to a question. Tom...

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A dream of a former home

A dream of a former home

I woke up in total darkness early this morning and for a few moments thought I was back in my house in London. In the darkness I thought the wardrobe was on my right and the windows straight ahead at the end of the bed, as they were in London. I realised fairly...

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Exploring the shelves, 6: Debussy’s First Arabesque

Exploring the shelves, 6: Debussy’s First Arabesque

Hardly an unknown piece, of course, but there are aspects of it we don't often consider. For example, the pedalling! Debussy doesn't mark any. What are we to make of that? Some composers carefully mark where they want the pedal to be used. Some don't mark pedal at...

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Exploring the Shelves, 4: Chopin’s ‘Minute’ Waltz

Exploring the Shelves, 4: Chopin’s ‘Minute’ Waltz

If you google the 'Minute' Waltz, you'll find that it is a 'song by Arthur Rubinstein', which would have come as a surprise to Frédéric Chopin. In the UK the waltz (in D flat, opus 64 no 1) is famous because it's the signature tune of the long-running BBC radio show...

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Exploring the shelves, 3: Albeniz ‘Suite Española’

Exploring the shelves, 3: Albeniz ‘Suite Española’

I asked my husband if he knew Albeniz's Suite Española. 'Some of it', he said. Well, exactly. Some of the pieces in this Suite are popular - in versions for guitar or orchestra as well as the piano originals - but some are much less well known, as I realised when I...

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Exploring the shelves, no 2: early Schubert sonatas

Exploring the shelves, no 2: early Schubert sonatas

This is the second in my series about exploring some of the piano music I have neglected on my shelves. Today's discovery is Schubert - in particular, the realisation that he wasn't always the effortless master he became! I sat down to play through his early piano...

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The impact of coronavirus on upcoming concerts

The coronavirus situation is constantly changing. Many people's plans have already been impacted by it, even though in Scotland, where I live, there are just a few cases at the moment. In the past few days I've had several worried concert promoters on the phone about...

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The impact of Brexit on musicians

Everyone sees Brexit through their own lens. This is mine. When I was small, playing the piano was my favourite thing. I had heard that Mozart and Schubert came from Austria. Bach and Beethoven and Schumann came from Germany. Debussy and Ravel came from France. And so...

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Bits of information needed to track down classical music

At a new year party I had an interesting chat with a young man who  likes music and likes to listen to it at university along with his friends. He himself likes classical music among other kinds. Many of his friends are not familiar with the world of classical music,...

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More on hand sizes

A little while ago I wrote about my sudden insight that most printed fingering in the scores of piano pieces was probably devised by men, and for male pianists. Yesterday I had some follow-up to that from a doctor who had done some further reading about male and...

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Programme notes – help or hindrance?

Yesterday I was at a concert where, just as I was thinking of reading the programme notes, the lights went down and I couldn't read them. Some concert halls don't put the lights down; others dim them slightly, and some put them down to 'theatre levels', just leaving...

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London Piano Festival pianists

London Piano Festival pianists

Phew! That was indeed a two-piano marathon at the London Piano Festival. Looking tired but happy after the three-hour concert last Saturday night in King's Place are, from left to right, Christian Ihle Hadland, Katya Apekisheva and Charles Owen (co-directors of the...

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The male hand as default …?

At the Edinburgh Book Festival I went to hear Caroline Criado Perez talk about her book 'Invisible Women: Exposing Data Bias in a World Designed for Men'. The book has just won the 2019 Royal Society Science Book Prize. The book's mission is simple but profoundly...

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