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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
Jeremy Denk mentions my book in this week’s New Yorker
A kind reader in the US (thank you Diana) has alerted me to the fact that my book Women and the Piano is one of Jeremy Denk's choices in this week's New Yorker magazine. New York pianist and writer Jeremy Denk was asked to recommend a few books that deal with the...
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‘Search for a way to make it natural’
The other day I was listening to a pianist playing the fearsome second movement of the César Franch Sonata for violin and piano. The piano part is highly virtuosic and, apart from anything else, a very good proof of the fact that these big piano parts are not...
Music and longevity
I go to quite a lot of concerts given by amateur musicians - partly because there's a big amateur music scene in the city where I live, and partly because I often have friends and neighbours playing in the concerts. Of course my particular interest is piano. It dawned...
Love-hate relationships
Fascinating article in today’s Guardian about the hidden antagonism which some top sportsmen feel, or come to feel, towards their chosen sport. It seems they’re reluctant to voice such feelings because they know the general public regards them as fortunate beyond...
Quartet Heaven
We had dinner last night with a friend who plays professionally in a string quartet. He’d been coaching a young string quartet from Paris. They got to talking about rehearsal venues, always a vexing problem for chamber groups and one that I and my friends have never...
Dancing at altitude
No dancer myself, I nevertheless love to watch good dancers, especially if they are musical. That may seem an odd qualification to make about dancers, but it often seems to me that the rhythm of the music and the steps of the dance are on parallel tracks. Because my...
Rainbow over Edinburgh
Well, I wasn't sitting in an empty room, but I can't pretend that my discussion session in Glasgow was a great success. Had it not been for several members of the teaching faculty coming to my rescue, it would have been a rather silent room. My masterclass was most...
Talking about performance
In the past few days I’ve spent some time studying scores of pieces I’m going to be teaching in a masterclass at the RSAMD this week. The date has been in my diary for a long time, but because the academic year only began a couple of weeks ago, it was impossible to...
‘Alison’s House’
It’s a double-edged feeling when you come across something superb by someone you’ve never heard of. Happy to discover them, but sad that they seem to have fallen through the net of history. That’s how we felt on seeing ‘Alison’s House’, by the American playwright...
Choosing a piano
To Steinway Hall in London, to choose a piano for the Florestan Trio’s Hyperion recording of Shostakovich next January. Whenever I'm able to select an piano, I have to do my research well ahead of time, because the best ones get booked up months in advance. Each...
Harvest Blues (and Reds)
It’s always seemed rather odd to me that the academic year and the new concert season start in the autumn. I understand that historically it’s to do with the harvest being gathered in, and a season of work being finished, after which it’s time to start new things....
Aubergine with attitude
I wasn't intending to buy an aubergine when I went shopping in Sainsbury's today, but how could I resist this one? Luckily it sneaked past EU guidelines on the acceptable face of vegetables.
Pots of money
At the weekend we visited lots of different artists’ studios under an ‘Open House’ scheme run by the borough of Wandsworth. We’ve been attending this event for years and always enjoy the chance to see artists in their home settings, often with their art displayed for...
Waving a stick
Philippa Ibbotson’s article in Wednesday’s Guardian about ‘the myth of the maestro’ has stirred up a lot of interest. Last time I looked, there were about 130 comments on the Guardian blog. The article questioned the enormous fees paid to orchestral conductors,...
First review of the trio’s new CD
The Florestan Trio’s new disc, a second volume of Haydn piano trios (Hyperion CDA67757), is just arriving in the shops, and the first review appeared yesterday. The magazine International Record Review (October) has given it their ‘Oustanding’ mark. The review is...