On Wednesday I played a solo recital in Ambleside Church as part of the Lake District Summer Music festival. My programme contained six pieces by the female pianist-composers whose work I have been performing in the past couple of years. In the context, I was touched...
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Look, no hands
I've been remembering a little conversation which happened years ago when a fellow musician was giving me a lift to the Tube station in London. I was on my way to play a concert. As I was getting out of the car, he said to me: 'Have you got your music?' 'Yes.' 'Have...
Different audiences, different reactions
I have been going to events at the Edinburgh Jazz Festival. There seems to be a lot of overlap between the audiences, because I keep seeing the same faces. It's interesting to observe the effects that different performers have on the audiences. Some performers banter...
Continual assessment
A friend of mine has been musing on this question: How many other professionals are subjected to continual public assessment the way musicians are? For a long time, musicians have put up with being publicly reviewed because good reviews can bring them quickly to the...
‘Es ist genug’: Bach’s chorale opens a BBCSO concert
One of the most depressing sights of lockdown in Edinburgh - for me, anyway - was the sight of the Usher Hall being turned into a Covid test centre. I know that test centres are important. But it seemed a sad change of fortune for the first big concert hall I got to...
Interview and podcast for ‘The Music Show’ on ABC Radio in Australia
This week I did an interview about my book 'The Piano' with Andrew Ford, the knowledgeable host of ABC's long-running 'Music Show' in Australia. He has woven in archive clips of other pianists talking or playing favourite music, so it has become an pleasing mosaic of...
Knitting
Last week I was thinking of writing a blog post about knitting. What is the connection between knitting and pianism, you may ask? Well, I had been reading about the 19th-century pianist Clara Schumann, who continued to tour and earn money for the family after her...
Adapting touring methods because of climate change
This morning I heard a report about scientists who have made a list of recommendations for touring musicians to cut back on carbon emissions. Amongst other things it recommended that musicians should use instruments or equipment 'held by the venue'. Good luck with...
No more bullfrogs […for now]
My readers will know that I hate people coughing in concerts. I don't mean the sudden cough that the person can't help and does their best to stifle - I mean the self-indulgent barking cough which rings out across the hall and seems to be targeted at specially quiet...
Giving the public a glimpse of the jury’s reasoning in music competitions
Last week I followed the Cardiff Singer of the World competition on TV with great enjoyment through all the rounds. I was so impressed with these singers who, despite a year of lockdown and no opportunities to sing to live audiences, were able to come out and perform...
Classical Top Five podcast episode on trios
This week I was the guest on a podcast called The Classical Top Five. During lockdown, a group of critics and broadcasters have been making their way through various 'top five' categories ranging from the serious to the light-hearted, and this week they turned their...
The street is just the street … as time goes by
A year ago, when lockdown happened and all my work was cancelled, I spent a lot of time walking around the streets of my neighbourhood - partly for exercise, partly to pass the time, and partly because we were not supposed to be taking the bus so there was no other...
Felix Wurman’s 1982 video about Domus
This week I came across the video made by cellist Felix Wurman about Domus at the beginning of the group's career. We were trying to publicise our concerts in our portable concert hall, a large geodesic dome which the players assembled out of aluminium tubes, putting...
Reviews of SCO piano quartets/streaming
In the past year there have been almost no live concerts, and therefore no reviews of the traditional kind. But sometimes there are reviews of streamed concerts, and the piano quartets I performed earlier this month with the excellent Scottish Chamber Orchestra...
What would Mozart make of our spaced-out concert formations?
Yesterday I was in Perth, recording Mozart and Beethoven quintets for piano and wind instruments with principal players of the Royal Scottish National Orchestra - Adrian Wilson, Timothy Orpen, David Hubbard and Chris Gough. The performance will be relayed as a Radio 3...




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