Very sad news that the Scottish jazz pianist Brian Kellock died last night. Brian was revered in the Scottish jazz world and far beyond. I didn't know him well, but I had got to know him a bit through attending his Sunday afternoon performances (with double bassist...
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‘Search for a way to make it natural’
The other day I was listening to a pianist playing the fearsome second movement of the César Franch Sonata for violin and piano. The piano part is highly virtuosic and, apart from anything else, a very good proof of the fact that these big piano parts are not...
A competition for concertos
I spent the past couple of days popping in and out of the first round of the Concerto Class held each year by the Edinburgh Music Competition Festival. The Concerto Class is strictly for amateurs; those who get to the final are given the opportunity to play their...
Learning to play the spoons in lockdown
Last weekend, reading the Guardian Review, I was struck by a comment of Joe Moran's about having learned to play the spoons in lockdown. I was vaguely aware of spoons as musical instruments, but a bit of research put me in the picture: spoons have long been used to...
Otters
One positive aspect of this year's lockdowns has been seeing more wildlife in the city's green spaces. Earlier in the year, when there was very little traffic, animals seemed to pluck up courage to venture on to the quiet golf courses, parks and hillsides. We saw lots...
The appeal of the Green Room
On Monday, cellist Philip Higham and I played one of the first post-lockdown concerts for a socially distanced live audience at Wigmore Hall (see photo). At first, we had been told that only 56 people would be allowed in the audience, but the rules changed and we were...
Playing at Wigmore Hall on 14 September
On Monday, 14 September at 7.30pm, cellist Philip Higham and I will be stepping in at short notice to play a duo recital at Wigmore Hall in London. We're replacing two artists caught up in quarantine rules. With countries hopping on and off the quarantine list, the...
Exploring the Shelves, 20: Bach’s first Invention
Most people who learn piano will have come across Bach's Two-Part Inventions, but their eyes may not have alighted on his Foreword. Mine hadn't until the other day. 'Forthright instruction, wherewith lovers of the clavier, especially those eager to learn, are shown in...
Exploring the Shelves, 19: Gershwin’s Three Preludes
This is probably the penultimate in my lockdown series about neglected music on my shelves. It has been a helpful focus for me during a phase when more people had time to read. As we start to come out of lockdown, it seems right to wrap it up. I'll try to get to...
Exploring the Shelves, 18: Antonio Soler’s Fandango
Here's a curious piece from the late Baroque, composed by an 18th century Spanish priest who was a contemporary of Scarlatti. Padre Antonio Soler began studying music at his local monastery when he was only six, and by 14 had his first appointment as a cathedral...
Exploring the Shelves, 17: Samuel Coleridge-Taylor’s ‘Petite Suite de Concert’
Recently, at a Zoom meeting of my piano club, one of our members played Samuel Coleridge-Taylor's Petite Suite de Concert. It was new to most of us, but we were all struck by its charm. I remember being puzzled when I first heard of a composer called Samuel Coleridge...
Exploring the Shelves, 16: Poulenc’s Novelettes
Francis Poulenc is one of those composers whose personality shows very clearly in his music. Some composers, you sense, enjoy the process of creating a pure compositional line swept clean of their personal feelings. We may know from reading their biographies that they...
Exploring the Shelves, #14: Mendelssohn finds his voice
Volume One of Mendelssohn's complete solo piano music is on my music desk. Mendelssohn was an astonishingly precocious chap and wrote some of his finest music - the Octet for Strings, for example - when still a teenager. He was first and foremost a pianist, so it's...
Exploring the Shelves, 13: Schumann’s obsessions
I have tons of piano music by Schumann and in lockdown I've been working through the volumes. Now, I've always been a huge fan of Schumann, but I have to admit that when you spend a day going through some of his, shall we say, less focused piano music you become very...
Exploring the shelves, 12: Dvorak’s Humoresques
Another find in a secondhand book sale was a volume of Dvorak Humoresques. Who knew there were eight of them for piano? I confess I only really knew the Humoresque made famous by Fritz Kreisler, Jascha Heifetz and others in arrangements for violin and piano....











