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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.
Radio 3 ‘In Tune’ interview this evening
This evening I'm doing a live interview about my Nocturne book with Katie Derham, presenter of BBC Radio 3's 'drivetime' programme In Tune. Normally these interviews are done in person in the London studio, but as I live in Edinburgh I've been offered the possibility...
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It’s a wrap
We're having the windows of the piano room double glazed this week. For safety, the piano has been closed up, wrapped in blankets and swathed in plastic sheeting. To give the workmen more space to bring things in and out of the door (perilously near the end of the...
Fractions of a second apart
I've been watching some of the Winter Olympics on TV and marvelling at the way that the top competitors all seem to achieve times which are within a fraction of a second of one another's. Time and again the commentators point out that the winning margin is...
Remembering an old college friend
Today is a melancholy day, the funeral of one of my first college friends. He had battled for years with depression, anxiety and a cascade of associated health problems. His passing led to a burst of correspondence between those of us in his circle in those university...
Lockdown practice insights
During lockdown I have had plenty of time to practise slowly. Normally, I practise things because I'm getting ready to perform them. But with all concerts cancelled, there was no reason to prepare in the usual way - that is to say, securing things in a way that I knew...
Exploring the Shelves, 20: Bach’s first Invention
Most people who learn piano will have come across Bach's Two-Part Inventions, but their eyes may not have alighted on his Foreword. Mine hadn't until the other day. 'Forthright instruction, wherewith lovers of the clavier, especially those eager to learn, are shown in...
Exploring the Shelves, 19: Gershwin’s Three Preludes
This is probably the penultimate in my lockdown series about neglected music on my shelves. It has been a helpful focus for me during a phase when more people had time to read. As we start to come out of lockdown, it seems right to wrap it up. I'll try to get to...
Exploring the Shelves, 18: Antonio Soler’s Fandango
Here's a curious piece from the late Baroque, composed by an 18th century Spanish priest who was a contemporary of Scarlatti. Padre Antonio Soler began studying music at his local monastery when he was only six, and by 14 had his first appointment as a cathedral...
Exploring the Shelves, 17: Samuel Coleridge-Taylor’s ‘Petite Suite de Concert’
Recently, at a Zoom meeting of my piano club, one of our members played Samuel Coleridge-Taylor's Petite Suite de Concert. It was new to most of us, but we were all struck by its charm. I remember being puzzled when I first heard of a composer called Samuel Coleridge...
Zoom music-making and chamber music
Zoom music-making has been a feature of lockdown. Hardly a week passes without someone sending me a link to a recording: Zoom choirs, Zoom orchestras and ensembles, each performer singing or playing away in their own home and on their own little screen. To create a...
Exploring the Shelves, 16: Poulenc’s Novelettes
Francis Poulenc is one of those composers whose personality shows very clearly in his music. Some composers, you sense, enjoy the process of creating a pure compositional line swept clean of their personal feelings. We may know from reading their biographies that they...
Could classical musicians be ‘radically local’?
We're hearing a lot about the days of heedless international travel being over for classical musicians. In today's Guardian, Charlotte Higgins does an admirable job of summing up some aspects of the situation. It's worth remembering that darting about to play in San...
Exploring the Shelves, 15: ‘Rustle of Spring’ by Christian Sinding
Here's a neglected piece! Years ago, 'Rustle of Spring' was a favourite with amateur pianists, often of the older generation - 'Uncle So-and-So's party piece', to be trotted out (possibly in abridged form) at parties. But I haven't seen it on a concert programme for...
Why pianists don’t like being called accompanists
The other night, after watching the last in the category finals of 'BBC Young Musician', I tweeted that I had now watched the wind, brass and string finals and had not once heard them mention the name of any of the pianists who played with the young competitors. My...
Exploring the Shelves, #14: Mendelssohn finds his voice
Volume One of Mendelssohn's complete solo piano music is on my music desk. Mendelssohn was an astonishingly precocious chap and wrote some of his finest music - the Octet for Strings, for example - when still a teenager. He was first and foremost a pianist, so it's...