I spent the past couple of days popping in and out of the first round of the Concerto Class held each year by the Edinburgh Music Competition Festival. The Concerto Class is strictly for amateurs; those who get to the final are given the opportunity to play their...
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When I was in Cambridge recently I went to see the photos taken last year by photographer Jooney Woodward to mark fifty years of women undergraduates at King's College Cambridge. Last time I saw these photos, in June 2023, they were in the Chapel (I wrote about the...
I'm enjoying the lull between major sports events - the Euros Football Tournament and the Wimbledon Tennis Championships just passed, and the Olympics which start in Paris at the end of the coming week. I got quite engrossed in both the tennis and the football,...
A sad one today! In the course of reading about the Spanish flu pandemic in 1918, I came across the fact that American composer Felix Arndt had died at the age of only 29 during the second wave of the pandemic in New York. I couldn't help being struck by this,...
I'm trying to learn some new pieces during this lockdown. My latest project is Chopin's Fourth Ballade. I've half-known it for years, but never tried to learn it properly. It requires quite a big stretch, which I don't have, and I've never been sure I could get my...
Over the past week or two, as a lockdown project, I've been playing through all Mozart's piano sonatas. There are eighteen of them, mostly in three movements. Mozart is my favourite composer. His piano writing is always of a high standard. After all, he was a famous...
It's amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn't as inspired as the rest of the piece. I once observed that composers...
A friend has sent me (in the post!) Richard Morrison's excellent Times article from April 3: 'Note to artists: it's not a sign of weakness to be unable to work now.' This is the link, but The Times is behind a paywall so you can only read it if you're a subscriber....
Hardly an unknown piece, of course, but there are aspects of it we don't often consider. For example, the pedalling! Debussy doesn't mark any. What are we to make of that? Some composers carefully mark where they want the pedal to be used. Some don't mark pedal at...
Over the years I've acquired various bits of piano music as gifts when friends were throwing away stuff they never played. That's how I came to have Edward MacDowell's Woodland Sketches. Most people know the first number, 'To a Wild Rose', but the rest of the set is...
I asked my husband if he knew Albeniz's Suite Española. 'Some of it', he said. Well, exactly. Some of the pieces in this Suite are popular - in versions for guitar or orchestra as well as the piano originals - but some are much less well known, as I realised when I...
... No, not the supermarket shelves! That's become well-nigh impossible in the coronavirus outbreak. As we're stuck at home, I've decided to explore some of the piano music I've had on my shelves for ages but never got around to learning. I have quite a few volumes of...
I have been reading an enthralling book, 'A Hundred Years in the Highlands', written in 1921 by Osgood Mackenzie. He was the founder and owner of the famous gardens at Inverewe. Osgood Mackenzie was an elderly man when he wrote the book and could recall childhood...
I haven't written much on my blog recently, for two reasons: 1. My website was hacked (aargh), and I have been struggling to deal with the technical issues that resulted. 2. I have been working on a new book. More of that in the new year! As we come to the end of the...
I did a piano workshop recently at which a number of different people played. One of our topics was tempo. How do you decide at what speeed to play something, especially if the composer gives no indication? Even written instructions such as Andante or Adagio are...