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I’ve been writing this blog since 2009, but there still seem to be plenty of interesting topics to mull over. You can subscribe (it’s free) to follow the blog by email – each new post will pop into your inbox.

When is a theme a melody?
I've now finished working my way through the volume of Mozart piano sonatas (a sonata a day keeps the doctor away) and have started playing through Beethoven's again. The early Beethoven sonatas have made me think about what makes the difference between a theme and a...
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Tricky fingering resolves itself
I've been gradually playing through the whole volume of Mozart piano sonatas, and the other day I reached the B flat Sonata, K333. This piece holds unpleasant memories for me because when I was doing my O-levels, or Highers, I forget which, I had to perform some of it...

Back story? A new weapon in career-building
A new series of Channel 4's 'The Piano' has begun. Judge Mika is still there, but Lang Lang has left the show and in his place is the multi-talented American musician Jon Batiste. For anyone who isn't familiar with the show, this is the concept: an upright piano is...
Scotsman Sessions #30: a bit of lockdown music-making
The Scotsman newspaper is offering readers some lockdown entertainment, or solace, in the form of contributions from various artists who've recorded themselves playing, reading poetry, singing, or whatever in their own homes. There's an accompanying article written by...
Exploring the shelves, 10: Felix Arndt’s ‘Nola’ of 1915
A sad one today! In the course of reading about the Spanish flu pandemic in 1918, I came across the fact that American composer Felix Arndt had died at the age of only 29 during the second wave of the pandemic in New York. I couldn't help being struck by this,...
Digesting what you’ve practised
I mentioned last weekend that I've been trying to learn Chopin's fourth ballade, a wonderful piece of music although not easy to master. After some days of quite intensive effort, I felt like having a rest from it. Some parts of it are very difficult, and day by day...
Exploring the Shelves, 9: Chopin’s 4th Ballade
I'm trying to learn some new pieces during this lockdown. My latest project is Chopin's Fourth Ballade. I've half-known it for years, but never tried to learn it properly. It requires quite a big stretch, which I don't have, and I've never been sure I could get my...
What does the future for concerts look like …?
A music-loving friend and I were discussing the prospect of concerts resuming after lockdown. It might be months away, but most musicians are eagerly, indeed desperately looking forward to this point. 'Trouble is', said my friend, 'I might not feel all that confident...
Exploring the Shelves, 8: Mozart’s piano sonatas
Over the past week or two, as a lockdown project, I've been playing through all Mozart's piano sonatas. There are eighteen of them, mostly in three movements. Mozart is my favourite composer. His piano writing is always of a high standard. After all, he was a famous...
Exploring the shelves, 7: mysterious last movements
It's amazing how often the last movements of multi-movement works are a disappointment. Time and again, my chamber groups would bemoan the fact that the finale of whatever we were rehearsing wasn't as inspired as the rest of the piece. I once observed that composers...
Richard Morrison’s Times article on musicians in lockdown
A friend has sent me (in the post!) Richard Morrison's excellent Times article from April 3: 'Note to artists: it's not a sign of weakness to be unable to work now.' This is the link, but The Times is behind a paywall so you can only read it if you're a subscriber....
Exploring the shelves, 6: Debussy’s First Arabesque
Hardly an unknown piece, of course, but there are aspects of it we don't often consider. For example, the pedalling! Debussy doesn't mark any. What are we to make of that? Some composers carefully mark where they want the pedal to be used. Some don't mark pedal at...
Exploring the shelves, 5: Edward MacDowell’s ‘Woodland Sketches’
Over the years I've acquired various bits of piano music as gifts when friends were throwing away stuff they never played. That's how I came to have Edward MacDowell's Woodland Sketches. Most people know the first number, 'To a Wild Rose', but the rest of the set is...
Exploring the Shelves, 4: Chopin’s ‘Minute’ Waltz
If you google the 'Minute' Waltz, you'll find that it is a 'song by Arthur Rubinstein', which would have come as a surprise to Frédéric Chopin. In the UK the waltz (in D flat, opus 64 no 1) is famous because it's the signature tune of the long-running BBC radio show...
Exploring the shelves, 3: Albeniz ‘Suite Española’
I asked my husband if he knew Albeniz's Suite Española. 'Some of it', he said. Well, exactly. Some of the pieces in this Suite are popular - in versions for guitar or orchestra as well as the piano originals - but some are much less well known, as I realised when I...